Thursday, January 14, 2010

Keith Rocka Knittel presents: Rocco Gaccione's "Suspiria"




Keith Rocka Knittel: "Keith Rocka Knittel Presents: Rocco Gaccione's Suspiria," 2009 (installation views)
Wood planks, speakers, video, monitor, scenic flat
Handle Like Eggs Studio, Valencia, CA

"For Immediate Release:
Keith Rocka Knittel presents:
Rocco Gaccione’s “Suspiria”

Valencia, CA – Keith Rocka Knittel is pleased to present a new site-specific work by Italian artist Rocco Gaccione as the first installment of the Handle Like Eggs Studio Exchange Program. Rocco Gaccione’s piece “Suspiria” will be on display in Broad Studio 20 at CalArts in Valencia, California on Tuesday, December 15, 2009, from 7-10PM.
“Suspiria,” 2009, uses appropriated footage from the 1977 film “Suspiria,” directed by Dario Argento, to create an environment that is at once inviting and repulsive. The soundtrack (by the Italian progressive-psych rock band Goblin) is amplified and looped into an endless crescendo. The tropes of Italian horror movies, or Giallo, are expanded beyond the constraints of the video frame into the viewer’s personal space, creating a tense expanse where voyeur and victim become one and the same.
Rocco Gaccione (b. 1984) is a graduate of The Mediterranean Center for Arts and Sciences Studio Art Program, in Sicily, Italy. He received the Enzio Fabriccone Award of Excellence from the Centro per Arte Contemporanea Italiana a Milano (CACIM) in 2007, the youngest recipient of the award. Gaccione has exhibited his work in Europe and Asia, and has an upcoming solo show in 2010 in New York City. He currently resides in Cosenza, Italy.
The Handle Like Eggs Studio Exchange Program invites artists from outside of North America to create site-specific installations in Keith Rocka Knittel’s graduate art studio at CalArts. The goal is to create a dialogue between artists from around the world, and present new, unseen works to the students of CalArts."

Tuesday, December 01, 2009

Keith Rocka Knittel presents... Authenticity

Authenticity
A multi-media performance by Keith Rocka Knittel
With choreography by Andrew Wojtal

Authenticity examines issues of authenticity, appropriation, re-enactment, and re-presentation.
Key scenes from the 1984 teen exploitation film Breakin' are reinterpreted through video, dance, and music, creating a multi-media environment in which larger issues of artistic integrity are examined. Authenticity confronts the philosophical and artistic ideas of authenticity by questioning the role of art and artist as both a contributor to and product of external societal values such as history and commercialism.

Thursday, December 3, 2009
7PM & 10PM.
Coffee House Theater
CalArts
24700 McBean Pkwy
Valencia, CA, 91355



photo by Rena Kosnett
photo by Rena Kosnett

LEGACY


Keith Rocka Knittel: "Legacy," 2009 (installation view, detail)
CalArts 2010 MFA Mid-Residency Show

October 18th - 26th, 2009

Multi-media installation consisting of scenic flats, painted Styrofoam, hand-made red canvas "sandbags" stuffed with polyester fiber-fill, clip lamps with red-clay bulbs, viewing ramp, and a single channel video projection.


Sunday, September 27, 2009

Keith Rocka Knittel Presents: September!

Keith Rocka Knittel: "Septembr9," 2009
Digital audio file™

Here's a mix I made last week, inspired by the "Pomposelli x Party People" installation and performance in Carl Pomposelli and my adjoining studios.  I was closed in Carl's studio where I djed for an audience in my studio, whom I could not see.  The audience could view into Carl's studio via a live video feed projected onto the wall in my studio.  The audio from my dj set was playing through a p.a. also in my studio, which was installed amongst mini-installations and a projected animation by Carl.  Peep holes (or glory holes) and a pin hole camera were cut in the walls between the two studios for direct contact.

The mix consists of loops of songs, overlapped and sculpted to mimic the arcs and dips of a dj club mix but with no apex or nethermost floor. No song plays in its entirety- only in chopped up pieces, some times more recognizable than others. Versions of some emerge, disappear, and revisit the mix in an attempt to represent the fuzziness of time and memory.

It's a roughly thirty minute mix.  Sometimes up to five loops are playing at a time.

Tracks I Took From:
Destroy Wendy Williams - Keith Rocka
Birthday Sex - Jeremih
My Melody - Stu
Apache - Incredible Bongo Band
Windows Media Player - Charles Hamilton
Monsters - Kid 606
Fuck Off - Yerzmyey
Blow Ya Head - The JBs
Tokyo Boy - Sabrepulse
Emerge (DFA Remix) - Fischerspooner
What's A Girl To Do (remix) - Cristina
The Other Woman - Ray Parker, Jr.
Spooks in Space - Aural Exciters
Hot Chick - Uffie
I'm in Love With a Ripper (Party Mix) - Yacht
Busta v. Mario - Stolen From YouTube
Losing My Edge - LCD Soundsystem
Mutant Wisdom - Richard Bone
Woof Woof - Dan Deacon
Beach Culture - The Thompson Twins
Triumph of a Heart (Video Mix) - Bjork
Charlie Brown (DJ Technics Remix) - Debonair Samir
Deli - Delorean
Mario's HA (Bonus Beat) - Bama Bounce
Playmate (feat. Roxy Cottontail & Lacole "Tigga" Campbell) - Armand Van Helden
PPXCP- Keith Rocka
I Hold The Crown (Gigi Barocco Remix) - Redman
Pop Champagne - The Clipse
Freaky Tales - Too $hort

As always, best on headphones, in a car, or loud on decent speakers. Pass it on, but give me credit please.

Download it for a week here:
Keith Rocka September Mix

Sunday, August 09, 2009

I Buried Paul

Keith Rocka Knittel: "Keith Rocka Meets The Beatles / Magical Mystery Tour Re-Edit," 2009
Digital audio file™

You can download the first in a new series of work where I re-edit significant works by other artists here.

Keith Rocka Meets The Beatles / Magical Mystery Tour Re-Edit
Track List:
1. The Magical Mystery Tour 9:23
2. The Fool On The Hill 4:31
3. Flying 10:10
4. Blue Jay Way 7:11
5. I Am The Walrus 7:21
6. Your Mother Should Know 3:21
7. Baby You're A Rich Man (Bonus Track on US Release) 6:52

There are only 100 available downloads from this link, so please download, repost and share.

Re-present.

Saturday, July 04, 2009

"If you heard we were celebratin' that's a worldwide lie!"

Keith Rocka Knittel: "7-4-09," 2009
Digital audio file™ 

I just made a 30 minute rap mix for the Fourth of July.

Here's the track list:
Louder Than A Bomb (intro) – Public Enemy
No Justice No Peace – Lakim Shabazz
Verbal Milk – X Clan
American Way – Nas
Dollar Day (Surprise Surprise) – Mos Def
America (feat. Mos Def & Chali 2Na)- K’Naan
The Beast – The Fugees

download it here!

Friday, June 26, 2009

Michael Jackson Memorial Mix


Keith Rocka Knittel: "P4RT33P33PL3_JACKSON_MEGA_MEMORIAL_MIX," 2009
Digital audio file™

So Michael Jackson died yesterday. Frankly, I haven't had any interest in his music since [some of the songs on] "Bad," but as a human spectacle he was fascinating. To prove my point I just needed to watch "Larry King Live" on CNN the past two nights, which at different times had Corey Feldman, Liza Minelli, and Miko Brando on the panel.

Michael Jackson and The Jacksons have released some of the most important and influential pop music in the last 40 or so years, so I decided to make a short little dj mix to commemorate. You can download it free here.

Enjoy!

Friday, April 03, 2009

CalArts MFA Open Studios, April 26, 2009



The CalArts MFA Open Studios are coming up. Now's your chance to peek and poke into my studio and see what I've been up to this year. I'll have snacks! Oh, and I'll be playing the after-party with Party People at 7PM. Be there.

Info here:
http://alum.calarts.edu/~studio/



Keith Rocka Knittel: "Low Frequency Amplification Unit 1," 2009
(studio view)
MDF pyramid bass bin tombs playing a modified audio track, amplifier, paint, audio cables
CalArts MFA Open Studios, Valencia, CA



Keith Rocka Knittel: "Unappeased Ghost Incessantly Circling," 2009 (video still)
Multi-media installation
CalArts MFA Open Studios, Valencia, CA


Tuesday, January 27, 2009

FROGHOLLOW:METH:MTN


Keith Rocka Knittel: "FROGHOLLOW:METH:MTN," 2009
Multi-media installation
CalArts MFA Exhibition, CalArts Lime Gallery, Valencia, CA
January 12-17, 2009

Tuesday, January 20, 2009

Many-worlds Interpretation

Keith Rocka Knittel: "Many-worlds Interpretation," 2009 (video still)

For this video piece, I filmed myself on two separate occasions dancing for 45 minutes straight to a mix tape by DJ Red Alert from 1988. Then I superimposed the two videos onto one background. And then, I isolated a series of animated freeze-frames, capturing parallel moments that had occurred simultaneously.

I once saw a documentary that illustrated the theory of parallel universes with a good animation of a cat experiencing two outcomes at once, alive and dead, dead and alive. Somehow, it wasn't as sad as it sounds.

Nipplegate


Keith Rocka Knittel: "Nipplegate," 2009
Multi-media installation

Inspired by the aftermath of the Nipplegate incident during the Superbowl XXXVIII halftime show in which Janet Jackson's
star-shaped nipple shield was revealed when her wardrobe "malfunctioned,"
I made a star-shaped sculpture out of radios that were all tuned to play an FM broadcast of remixes I'd made of a dozen or so songs that were censored by the FCC post-Nipplegate.

Nipplegate led to a crackdown on perceived indecency in broadcasting
and resulted in a record half-million dollar fine levied by the FCC against CBS. The FCC also increased its fine per indecency violation from $27,500 to $325,000, resulting in widespread censorship by radio stations of music containing lyrics now dubbed "indecent" by Michael Powell, then-chairman of the FCC.

My new "Nipplegate" mixes contain only these "offensive" parts of the songs, the parts now bleeped or completely edited out of radio play. The songs include "Jet Airliner" by The Steve Miller Band, "Legs" by ZZ Top, "Genius of Love" by Tom Tom Club, "Start Me Up" by the Rolling Stones, "Money" by Pink Floyd, "Whole Lotta Love" by Led Zeppelin, "Erotic City" by Prince, "White Horse" by Laid Back, and "Rich Girl" by Hall and Oates, all of which have been self-censored by radio or television program directors since Nipplegate.

Pete Rock of Gibraltar continued...




These are a few more drawings from the Pete Rock series of endangered animals, commissioned by a good friend/very savvy collector.


Tuesday, November 11, 2008

Pete Rock of Gibraltar


This is the second drawing in a series that I'm doing for a friend who commissioned a bunch of endangered animal drawings. They'll all have lyrics from Pete Rock produced songs - this one is from the Pete Rock & CL Smooth song "Act Like You Know." It's a Vancouver Island Marmot, the most endangered species in Canada. I'm really enjoying doing these drawings lately, because they feel like they are at the total opposite end of the spectrum from other work I've been doing - but still completely attached.

Friday, September 19, 2008

[laugh track]





Keith Rocka Knittel: "[laugh track]," 2008
Site-specific installation
Hollywood Boulevard,  Los Angeles, CA

Saturday, August 02, 2008

squawkin' tern : lost on a sandbar


I just did a drawing for the header of "Lost on a Sandbar." It's a blog by my friend Dennis who is one of those crazy East Coast surfers. Like NORTH of DelMarVa crazy! Like surfing in 40 degree (fahrenheit) water hypothermia crazy! Anyway, he and I have been down since birth, literally, and when he asked me to hook him up with a drawing I was more than happy to oblige.

I have always loved shore birds and gulls and the like (even though they tend to get a bad rap by most beach goers) so I drew this squawking tern. He's all "LAY OFF MY FISH!" but he's also trying to be a little polite about it (it's in his eyes). I see terns and gulls how I see someone who lives in New York and calls Rockaway their local break- resourceful and thankful for what they can get.

Saturday, July 26, 2008

Old Drawings

Three drawings dating a few years back, when I was transitioning out of dynamo-ville and into being just plain Keith.

This drawing is called "Dick Lewis Is Watching." It's a watercolor on notebook paper, 8 1/2" x 11", drawn in 2006. The story behind it is this: I used to see commercials on TV growing up on Long Island for Newmark & Lewis, which was like Best Buy or Circuit City before those places existed. The deal with this place was they had the lowest prices because Dick Lewis (he's the Lewis of Newmark & Lewis) was watching out for all of us - finding low, low prices on any appliance or electronic device you wanted. Their slogan was "Dick Lewis Is Watching," which always had this creepy 1984-esque quality to me. It almost made me feel like I did when I believed in Santa Claus, but felt funny knowing that he watched me all the time deciding if I was bad or good. I was pleased when, after years of being subjected to paranoia inducing Newmark & Lewis commercials, I read the liner notes of Public Enemy's "Yo! Bum Rush The Show" LP which stated "The 1990's are here, so take no shorts (particularly when we know that Dick Lewis is watching)" - which was Chuck D's way of saying "you better watch The Man, because The Man is watching you!"



This drawing is called "SUN" and is ballpoint pen on paper, 8 1/2" x 11", drawn in 2005. It's a page taken from a hand made sketchbook, so there are holes on the left side from where it was once bound. It's one of the last times I drew anything that looked like one of my "dynamo-ville" characters. This sketchbook is filled with lots of therapeutic drawings and writings which I used to help expunge all that was "dynamo-ville" from my head.






This drawing is called "Acieed!" and is ballpoint pen and pencil on newsprint, approximately 7" x 10", from 2005. It's also a page from the aforementioned sketchbook. This drawing actually has three blank pages that are attached to the back of it - it was a cluster of hand cut newsprint pages in the sketchbook but only one page got drawn on and the rest just stuck together at the edge making it that much more interesting. The critter in the drawing is a tanuki, or raccoon dog found in Japanese folklore. Usually statues of tanuki are found outside of temples or noodle shops. They are mischievous, absent minded shape shifters. The word "Acieed!" refers to the refrain in the song "We Call It Acieed" by D-Mob, which was an Acid House anthem in the late 1980s. Honestly, I don't know what the two things have to do with each other.




Thursday, June 26, 2008

Grand Puba Maxwell


This drawing is called "Grand Puba Maxwell (pigeon)." It's watercolor and pencil on paper, 7" x 10", drawn in 2008. It was recently featured in my solo show "Crab Kids Keep Quiet" at The Lab 101 Gallery in Culver City, CA. It's a pigeon, and the words are by Grand Puba Maxwell of Brand Nubian ("Who Can Get Busy Like This Man..." from the album One For All).

Thursday, June 05, 2008

Nolan Mookie George Rollie



This drawing is called "Nolan Mookie George Rollie." It's watercolor and pencil on paper, 11" x 17", drawn in 2006. It's a drawing of an infinite word bubble pinwheel of baseball stars' names of yore.

De La Soul

This soft-sculpture is called "De La Soul." It's an embroidered felt word bubble, stuffed with polyfil, approximately 6"x 8" x 2", made in 2008 (click image to see it larger). It was recently featured in my solo show "Crab Kids Keep Quiet" at The Lab 101 Gallery in Culver City, CA. It hangs on a wall and has the words "Take Those Shell Toes Off" on it, a line from the song "Take It Off" on De La Soul's 3 Feet High and Rising.